two words is the debut release from the duo of canadian sound artist crys cole and australian songwriter francis plagne. building on a series of experimental live performances in which the pair toyed with possible common languages for their seemingly unrelated approaches to music, the lp’s two sides present a single piece that brings together abstract texture and slow-motion song in a sonic space where genre cedes to the logic of dreams.

reissue of balearic gem spanglish movement from little known band hot pepper! originally released as a private pressing in 1978 and featuring famous drummer jesus munoz tilico, a giant musician who appeared on countless recordings and accompanied famous figures like paul mauriat and carl tjader among many others. four superb long tracks including the cosmic underground club classic ritual song. hot pepper was a studio project created by mexican drummer / producer /arranger jesus munoz tilico who in the late 70s decided to record an album in a disco-funk vein, helped by some of his friends who were top session musicians. “spanglish movement” was the result, written and produced by “tilico”, released in 1978 as a tiny private edition housed in a fabulous afro cover. being tilico an enormous drummer, you can expect here lots of heavy drums, congas and percussion, surrounded by crazy space synths, male-female vocals, latin horns, afro touches and occasional fuzz guitar.

one of the masterworks of 20th century electronic music, the electric lucifer by bruce haack. originally recorded in 1968 and 1969 (and released in 1970) it is an album both unique in conception and superb in realization. your your gateway to the profound yet playful universe of bruce haack, a -far-out- place where flower-power and inner-space electronics collide!

killawatt steps up for his 3rd solo ep on 47. a1 accupunk thrashes and beats with complex rhythm programming. a2 the roamer continues with high-velocity alien minimalism. b1 polar polemic slows the pace to heavy stepping with cyborg talk. and b2 glacia systemic decelerates even more so the voices and synth-lines are glaciers twisting in space. portsmouth, uk–based producer and dj killawatt released the solo eps 47010 and 47012 in 2017, and featured on the label s first release 47001 with label head tommy four seven.

brand new label from new york, feat l. sangre and silent servant. limit-xperience limit-xperience is a culmination of formative experiences as well as present of evolving influences of silent servant & l.sangre. the two tap into both their distinct shared points of view, as well as integrating of the space where their individual inclinations lie. a joint expression of driven electronic music, and eras since passed filter thru and draw from electro, techno, industrial, and more of their musical fundamentals. in similarities as well as differences, their coming together allows for a permutation that is their own.

amsterdam based luuk van dijk is welcomed into the hot creations fold this july with his heavy-hitting parallax e.p. chicago production wizard dj skull is also on board to rework the b-side. title track parallax is set to cause a serious stir at festivals and clubs alike this summer. the smattering of high-hats elevate the track as the space-like beeps and blips add another facet. on the flip, dimension applies an ominous vocal stab as the bass rumbles — perfect for low ceiling basement raves. on the remix, dj skull adds a touch of chicago class via some softer vocals, dubby chords and a pounding bass. at the tender age of 22, luuk van dijk has been signed to acclaimed labels such as viva music, roush, food music, sanity and lost records. championed by stalwarts such as steve lawler and eats everything, he has taken his sound to some of the world’s most prestigious events. ron maney aka dj skull became known for being one of the first djs to play the new sound coming out of chicago, honing his craft at the infamous music box and power plant. releasing records since the early 90s, he later launched his own labels hypnotic tones and wax candy records. recent releases have appeared on chiwax, domina trxxx and mentha records.

strut presents the brand new album an angel fell from cosmic jazz travellers the pyramids, led by saxophonist idris ackamoor. produced by malcolm catto of the heliocentrics, the album was recorded during an intense week at quatermass studios in london. some of the many highlights include the poignant title track depicting a fallen angel in purgatory, outrage and grief on the powerful, hard hitting soliloquy for michael brown and the lilting, beautiful album closer, sunset. the pyramids originally came together in 1972 at antioch college, yellow springs, ohio where teachers included renowned pianist, cecil taylor. after forming in paris and embarking on a cultural odyssey across africa, the group recorded three independent albums,‘lalibela (1973), king of kings (1974) and birth/speed/merging (1976) and became renowned for their striking live shows, mixing percussive, spiritual and space-age jazz with performance theatre and dance.

finnitus 7-inch time! finnitus edits #3 is yet another serving of incredibly dodgy bargain bin tracks trimmed into submission and ready for the floor. side a s klabb & babb is a space disco heater, while side b s eroding in africa is your standard below-par bony m-esque afro flirt, made into something you can dance to.

vinyl box-set limited to 500 copies + includes the compilation on cd - cocoon recordings presents: r! includes a set of 6x12 inch exclusive fluorescent vinyl records which glow in the dark and create a * magical * effect while played in club.

opening track in the b kicks off proceedings in no uncertain fashion. it s 100% wall shaker material, the type of techno music best paired with strobe lights and towering speaker stacks. it mesmerises with its low-slung undulating bassline and detroit rhythms before giving way to some riotous old school essex stabs and sharp claps. no messing, this is a certified 3 am red light burner! track 2 chocolate biscuit accelerates proceedings! beginning with unfussy drums and a robotic, bleep-heavy melody driving it off into a wonderfully off-kilter direction. its arpreggio d rhythms may be brutish and wrestle a growling sense of menace out of the track, but the overall feel, however, suggests considerable care and attention has been paid to make it sound this way. there s clearly an uncommon musicality at play here to make something this complex feel so simple. the bpm drops next on jenny s hall but from the offset, there s enough funk and thrust in the motorised synth line to get bodies gently grooving without the beauty getting lost in the slower loop. this is blissed out, psychotropic techno - the kind of track where it feels like you re floating and falling at the same time, but all the while making sure you still remain fit for purpose on the dancefloor. ian blevins takes on remix duties this time and the berlin-based dj/producer offers up a sleek peak-time banger that fizzes, bubbles and percolates. he gives the rhythm on jenny s hall less space to swing and ties it to a tight motorik beat turning it into a slice of shiny, modern techno but with extra shoulder-checking force. its vibe drawing from a sense of outsider-party fun with a wry smile, and a knowing wink running throughout before bringing the package to a suitably left of field crescendo.

rod modell returns as deepchord for his first solo release on astral industries since inaugurating the label with his sought-after ‘lanterns’ ep. consisting of two stunning long-form pieces split on one side each, immersions¿ captures the emotive, halcyon sound that rod has long become synonymous with. opening with glistening ambient textures, ‘immersion i’ grows into an 18-minute piece of deep rolling dub techno. on the other side ‘immersion ii’ paints pristine soundscapes of soft, lapping waves, underpinned by submerged pulsations that rise to the surface to continue its deep space explorations. two highly refined and inspiring tracks that sit on the apogee of this sound.

r&s welcome back highly-revered techno artist benjamin damage with his new double headed single ‘malfunction / binary . ‘montreal’ from his debut r&s ep proved to be one of the label s biggest techno releases of the last few years - the pummelling drums, intense atmosphere and beatuiful melodies are synonymous with the music that has made the label timeless. road tested in benjamin’s heavy artillery live shows across the globe, malfunction / binary pick up where the last ep left off - pistoning rhythms, breakneck beats and monolithic bass, but this time the mood is more reflective and optimistic - skying cloud-like pads offer a dreamy counterpoint. made between london and berlin, following recent live shows at berghain and oval space, benjamin’s wanderlust and restless studio dynamic sees him continually breaking down his gear to travel, “being on tour with all my gear i find it quite easy to work in new places,” he explains. “i like the energy of different cities and it s good to keep moving.” this new ep is announced ahead of a huge, all hardware live show at sonar by night in barcelona. with ‘malfunction/binary’ sure to do the business and an album in progress for r&s scheduled for 2019 it’s going to be an exciting year ahead!

next up on francis harris exceptional imprint scissor & thread comes a collaboration with american producer, dj aakmael. aakmael has built a reputation for some of the deepest, rawest house music sounds coming out of the states, releasing well-received tracks on the likes of freerange records, release sustain, kolour dogmatik and ndatl. returning to scissor & thread, aakmael and label boss harris cook up an intoxicating vibe across this 5 track ep. each shares a track and work together on the fifth, while also remixing each others solo cuts. first up aakmaels deep muzik- a quintessential nod to its self-proclaimed mission statement. skittering drums, a shuffling groove, deep keys, and chords make up this essential opener. franks (aka francis harris) all that light mix shows another side, finding pockets of space and developing the fizzing percussion to produce an equally affecting piece of dancefloor bliss. sharing production duties from the outset on mercy of means, the guys slip into an easy mid-tempo groove with plenty of depth - the rhythm rolls along and offers the perfect basis for some sublime melodic touches. franks part song also hones in on the subtle deep grooves. bumping, slightly filtered and saturated drums provide the main body, with beautiful washes and keys finding their way through, aakmaels remix beefs up the groove somewhat, making the snares snap harder and kick hit a little stronger, but the essence of the tracks melodic atmosphere remains perfectly in place.

aaja is a uk based cultural project encompassing a space, label and parties. not following too many fads or trends. aaja is an audible quest for deep and raw club rollers and late night neon tales. for aaja001 we’re pleased to gather 4 friends and artists in their own right for a diverse, inaugural 4-track various artists ep.

the entirety of space, time, matter, energy, the physical laws and the constants – omniverse. three original tracks from vril plus a remix by his master’s voice. two mysterious identities. scattering sound waves.

with this debut ep, the ozzie producer succeeds in rounding up disparate & dubious elements together in a serious way without departing from a non-serious attitude - the record even rounds off with a very “put your hands in the air” moment with space gekko’s ravey sirens. “music to party on the river yarra to” (just google it).

after the celebrated metabolism lp from last year, sigha is back with an untitled 4-track cut for token84. after the celebrated metabolism lp from last year, sigha is back with a 4-track cut for token84. this untitled record remains understated, playing with variations on a theme whereby the similarities exist seemingly to illuminate the differences between the tracks. the relationship between circular and hum is reminiscent of sigha s 2016 new puritan flip on the earlier offering of puritan from 2012, with circular presenting a tight, meditative loop in high-mid frequencies while hum inhabits a similar space, only seemingly from a distance. if those two are close, measured and controlled, the other tracks on the record demonstrate more freedom and abandon. gliss is huge and heavy, while flare s sonic elements interact playfully and scatter as the piece progresses.

ultra limited christian morgenstern collection incl. 8x 12 inch vinyl + poster .. christian, we will always remember you .. here you will find rare tracks from the legendary lydia lp and many more

allfeelings is releasing a 12- in dedication to his love for early dub techno coming out of berlin. the idea behind the title “untitled” is to give the listeners more space to interpret the tracks themselves rather than being distracted with any track names. as allfeelings music label is about the amalgamation of sounds and rhythms to bring about a visceral experience, this can be observed in the african inspired percussion on side a and the subtle changes and movement it has throughout its length. side b focuses more on easy listening with sounds and dry textures meandering slowly demanding the listener’s attention at all times. the other great thing about this record is it works really well pitched down which can be used to great effect during warm ups and after hours. this release has the support from ario and o:utlier from astral industries.

tokyo based dj/producer tsuyoshi ogawa presents -seven samurai-. this vinyl-only label has been founded in 2018 and it is operating in tokyo, japan. it pays tribute to the japanese legendary movie director -akira kurosawa-. this 2nd ep inspired by the movie -the hidden forest-. 1st track himatsuri by tsuyoshi ogawa that recorded using the voice sample of yuki s song from the movie and this song based old japanese poem book -kangin collection- in 1518, the impressive phrase -think it over - how dark this world is - the floating world is no less than a dream - just go crazy - will be brought to us as a universal theme to this day. 2nd track hitomi s temple by paris samurai vida, he recorded using sound of japanese koto, samurai sword and samurai voice to respect japanese traditional manner. it s a japanese satellite like a spiritual space temple, because the track bring you from paris to japan to space. this ep is dedicated to akira kurosawa as a new spiritual soundtrack for the hidden forest.

this is a debut release on vinyl for spanish based jordi navarra whose musical oeuvre stretches between “surf, hippie / space rock and crude electronic music” often different yet coated in tons of reverb and echo for “it’s final catalepsy”!
“micromundos,” needless to say for py devotees, concentrates on his cruder electronic soundscapes, incredible often ambient, drone themed pieces that on one hand dip their toes into the revered works of hans-joachim roedelius and dieter moebius, and the sky back catalogue whilst equally conjuring up a collision of spacemen 3 psych meets wire, early cabs or magazine darker more atmospheric, post punk industrial / experimental workouts.
eight abstract, kosmische fuelled pieces that act as an interesting sister release to the label’s other july offering, the more overtly “in-yr-face” synth pop themed mitra mitra lp.

antonio sanches provided the “out of space” lead track on the label’s seminal “space echo” compilation. impossible to find for many years, the sound of “buli povo!” is just as arresting and mesmerizing today as it was on the day it was released. it has just taken us thirty-five years to catch up with antónio’s vision.

desets inaugural release sees the boys perk up with two stunning originals and are back by remixes from none other than two chi-town legends, boo williams and ricardo miranda.

after releasing their yantar lp digitally last year, hell yeah now serve up a much anticipated vinyl version of richard somerville and craig wilson s perfectly horizontal sounds. it features two of the superb originals with remixes from the beat broker and los gatos escobar. somerville & wilson have appeared on ism records, dwdk (danny was a drag king), paper records and music for dreams and count the likes of tensnake and gerd janson as fans of their laidback and charming grooves, and this ep is a real slab of heat that will surely sizzle souls across the world this summer.

lp with full color jacket, deluxe printed sleeve, 140g vinyl, digital download code.

* to celebrate the second anniversary of khemia records we are pleased to welcome back in aeternam vale, the legendary french artist who inaugurated the imprint on a split ep with bronze teeth in march 2016. * this is the first single-artist ep produced by the label, initiating a new series that will run parallel to the v/a editions. * the tracks ‘dave’ and ‘circles’ form an elliptical conundrum composed of various references including kubrick’s alchemical allegory 2001 a space odyssey, (sampled in french) with it’s existential narrative of a schizophrenic artificial intelligence lurking in the shadows. the deus ex machina wondering if mankind is still useful to machines, or perhaps even dangerous to them? the infamous seveso chemical disaster at the pharmaceutical laboratory icmesa caused by human error, the glowing blood-red sphere of hal 9000, the all-seeing eye of the sentient super-computer and the circular composition of the toxic compound 2.3,7.8 tetrachlorodibenzo-p-dioxin (tcdd), released into the atmosphere at seveso. with this cryptic feedback loop, laurent prot is suggesting that the new technologies we are developing now, for use in our near future could result in catastrophe when human control is lost to the self-learning of ai. the homicidal consequences of a machine take-over find visual form in the bleak, dystopian aesthetic of evelyn bencicova’s cover artwork.

bleu nuit (bn) is glad to introduce to you to its third release sustain strain ep (bn03) by paris-based french dj & producer: keumel.

about a year after the release of his night drips ep (lln008) on sister label lumièreslanuit, keumel is back with sustain strain , confirming his taste for deep, rousing and melodic music, however, this time, with a on the a-side, space is her place unveils intriguing and asynchronous beats, whereas heavy body presents elastic sounds on a groovy electro beat with a naive twist.
on the b-side, shattered decay distinguishes itself with its melancholic melody and dubby bassline that twists your brain and your body, while unheard territory appears as an epic and orchestral track to close this melodic musical journey.

you got the stuff is not lovely day - that much is true. this ones a wigged out, extended, trip into deep space from 1978 that is truly baffling. of course, it features bill singing for the first half of the track but then all of a sudden we re launched into a cosmic wormhole as everything just falls back and the track is stripped of any earthly qualities. people find themselves asking this, this is bill withers? as lazer guided synths and rock solid drums pull us into the sonic vortex. truly amazing. obviously a nugget like this has not gone unnoticed and has been edited and chopped and sampled deftly by the more sarcastic, left-field oriented crate diggers out there but it has never been reissued legitimately - until now! a hugely sought after and collectible gem right here, backed with the wistful slow jam look to each other for love as per the original 1978 columbia promo 12inch version. this left-field, cosmic classic has been legally reissued by above board distribution in conjunction with the legal rights holders sony music entertainment. this high quality repress features original columbia pink label disco 12inch artwork and has been remastered from sonys original sources by optimum mastering, bristol uk.

artefacts of rotation is asc at his experimental best. once again, the theme is one of deep space exploration, showing a natural progression from return of the emissary, and sitting somewhere between that and the recent album, astral projection. hypnotic drum programming, spiralling atmospheric elements, layers of sublime pads, plus the usual healthy dose of bass - it’s all here in abundance, ready for the listener to don their space suit and dive in head first.

2020 repress! 747’s paleo is an essential acid collection of eight diverse tracks, with a vinyl-exclusive d side. aquaregia’s first long playing release weaves through the different faces of acid on a time travelling trip through geological history. the journey begins with warm pads enveloping lush landscapes fringing the shallow, prehistoric seas where swarms of trilobites frenetically scurry, seeking to survive and evolve. roiling subaquatic vulcanism rules the b side, a seeding ground for exotic crystals whose hexagonal points vie for space as the magma cools and the minerals speciate. we’re then taken further into the depths, where planispiral ammonoids swim in the pseudo-antigravity of the saline seas. and finally, closing out the excursion, we’re transported from ages past, through the fleeting present into the future, to a warming ocean with disrupted ecosystems and unpredictable currents, the effect of a morphing climate.

primitive art arrives on arcola with crab suite, a new ep that sets out to explore otherworldly territories through four apocalyptic-dub transmissions that share psychic space with the work of shackleton, basic channel, m.e.s.h. and raime.

the mutable nature of our lives leads to a constant pursuit of musical incentives. last month we launched a new series on mindtrip aiming to bring together diverse sounds and musical backgrounds under a mutual project. mutable minds edition ii welcomes the very exceptional work from five of our favorite artists out there. the release opens with our head honcho pfirter and his anti-routine that comes with his trademark modular effect and a well-constructed sequence. sleepwalker belongs to mexicos finest techno export aka fixeer who delivered a pounding track with great energy. on the b-side things are getting deeper and more tripped out yet still powerful and intense with the swedish duo kuf & dold and their track mint. mutual minds ii closes with a familiar name that is none other than jonas kopp who returns to mindtrip with a very interesting piece that comprises a narcotic feeling and space stabs. the final outcome of the second mutable minds edition perfectly describes the musical perspective and ethos on mindtrip. hope you enjoy this trip to the fullest. this is mindtrip!

for the record the artist presents a sonic curation of her work ë.ctu_isbtmí. operating in a space between sculpture, code and electronics, the system scans 3dimensional objects via a live video feed and programmatically encodes the artistís glass sculptures within a language of pitches and rhythms using samples as a transla- tive matrix. following samples are used : 0 basketball, 1 tennis, 2 swim, 3 scubadive, 4 helicopter, 5 race, 6 golf, index side a: codes sounds were produced from rotating black glass objects whose shapes determine the parameters of a 2d synthesis space. side b: the resulting sounds are live coded into musical pattern. along with byrke louís sound piece the physical record features words by agf.

amaranth ep is the latest various artists effort through the planet rhythm label. this compilation features sounds by dubiosity, alfredo mazzilli, space above and exilles. also this package contains a mesmerizing remix by glaswegian artist edit select which we are proud to add to the label roster. soundwise, amaranth ep is covering a lot ground within modern day techno. surely a package that will appear to lovers of multiple modes within the genre.

born in munich, sebastian schnitzenbaumer aka belp partially grew up on the seychelles islands off the coast of east africa. educated in classical piano, those two gravitational poles, european and african influences, became the basis for his musical development. having travelled extensively with a closer connection to london over the years, belp kept his base in munich, becoming part of a small alternative scene questioning the predominantly rich and posh surface of the city. blending jazz, dub and noise, an emphasis on darkness in his broken beat oriented works evolved as a reaction to a rather hedonistic society preferring warm and uplifting sounds.

robot 84 returns with another set of killer balearic inspired reworkings. these drums opens up the e.p. layering drum loops and bongo fills with dubbed out keys, brooding pads and afro vocals. the a2, all the more cosmic yet club ready in its nature, marries a powerful bassline and captivating kick pattern with some space echo synthwork, before those epic toms and vocal chants ring out. on the flip side, long hot is exactly that a smoldering, soulful, slow jam rework to ride off into the sunset to.

following the success of joey negros produced with love album, four of the album cuts get the remix treatment from an all-star cast of producers each with their own particular flavor. kicking it off chicago legend ron trent takes the original funked out, arthur russell flavoured, distorting space time and turns it into a deep house groover complete with a strong walking bass alongside adding a soul & richness to the elements that only he knows how. crackazat step up next to take on lactican boogie crafting it into an uptempo piano driven, emotionally charged stomper sure to do some damage this summer. flip it over and lay-far delve into in search of the dream adding squelchy synth stabs and a deep bass to give a more hard hitting edge to the track whilst retaining that disco flavor with angela johnsons emotive vocals. closing out the ep fouk come full circle, bringing their hazy, jazz tinged style to distorting space time building the remix around those warm rhodes chords, shuffling rhythm and dynamic bassline. gold once again from the z records camp!

stroboscopic artefacts is releasing its latest addition to the forward leaning edge of electronic music with the totem series. unfurling as a chain of transparent 10 vinyl, each of the totem releases will have a subtly divergent take on the aesthetic space defined by techno and club culture.

next up on creme organizaiton is lake haze. the hague based portuguese artist is a regular on this label having put out four eps in the last two years. hes also linked with unknown to the unknown and shall not fade so is an esteemed talent with a blistering sound that fuses futuristic techno and electro into storytelling dancefloor dynamite. space reservoirs kicks off this ep with slow but heavy drum work, acid twitches and spooky cosmic echoes. the observer picks up the pace with quick and slick kicks from the streets of detroit overlaid with ripping electro basslines and deep space atmospherics. unexplored oceanic territory is expansive electro with busted drums and echoing pads that add real scale before more acid finishes things off with real rawness. prototype is dark and heavy, with another searing baseline and crisp metallic hits, then into the unknown is a blissed out electro roller with dreamy pads and twinkling keys melt ing into the cosmos. it closes out another essential ep from this timeless producer.

next up on the ever-eclectic xvi records, a shadowy figure steps into the spotlight: enter the mysterious captain over, whose dark yet soulful bruk-infused tracks soundtrack the next stage of their voyage towards the sun. for his debut outing, captain over calls on the abstract vocal stylings of the legendary trim (roll deep, 1800 dinosaur) on opening track sick. showcasing why hes one of the most iconic and forward-thinking mcs to grace the mic, trims dulcet tones twist through a jungle of shuffled beats and subterranean sub-bass, an eerie child-like melody drifting overhead. clack clack and no one ever really flies inhabit a more dancefloor friendly space, their unique syncopation, fierce instrumentation and relentless energy open up the dancefloor for some real get loose moments. on the remix, they hand the controls over to xvi homestay books (following on from the success of his previous feel it in my bones and high praise edits vol 1 releases which won praise from the likes of the black madonna, moodymann, gilles peterson and seven davis jr) books expertly crafts a cosmic footwork jam, full of his trademark soulful chords and eerie midnight saxophone licks. as he prepares to launch his forthcoming ep no-one every really flies into the cosmos captain over is beginning to cement his place as one to watch in the uk underground a sequel ep featuring grime upstart nico lindsay is scheduled for release later in the year, with several more collaborative works in progress.

evod music is glad to welcome binny and dj surgeles on its limited catalogue. the english dancefloor killer and the dutch sci-fi master fused perfectly together on this split ep. organic by binny is a perfect tool, thanks to its mesmerizing acid sequence, masterfully fused with powerful drum patterns and hypnotic drone raids. missing link is another killer tool, perfect for a dance floor full of people. its old school sound and the various changes make this track a must have. the b side is managed by dj surgeles, with three outstanding sci-fi tracks. science fiction contains a randomic, spaced out sequence blended with heavy drums and various drum patterns variations. commander pete is the most millsesque track: in this piece there is a real space ambience, thanks to a its far pads, the electronic ringings and bleep sounds incursions that create a constant suspense, broken by the interruption from an astronaut radio message. the ep is closed by message to earth, an ambient outro that fits perfectly with all the other tracks.

consistently vibrating at a frequency beyond the conventional realms of house and techno, untilmyheartstops returns with a particularly captivating transmission from furtive jazz-peddling beatsmith tom ellis. this release serves as an opportunity for the freerotation regular to move into a techno-inflected space without losing his handle on delicate, evocative pathways through the minimal milieu. the subtle throb of -solastalgia- sounds especially at home on umhs, hinging around snaking machine rhythms and a buttery bassline that could easily go on for days without growing tiresome. watch out for the unavoidable consequence of you though a feisty party heater that finds ellis dipping his toe into the sample / edit snakepit and pulling out a python

prolific and long-serving canadian producer fred everything is never one to rest on his laurels, but it s been no less than 10 years since he last released an album (the classic lost together on om records). now he finally returns to the long player format on his own lazy days label with the appropriately titled long way home, a widescreen exploration of his sound via all manner of styles. there s gorgeous broken beat and neo soul, slow-strutting electronic disco and modern boogie, and that s just the a side of this expansive 12inch track album. warm, immaculately produced and unafraid of embracing pop as much as underground styles, it s a masterful return from mr. everything.

haven returns with their second ep with a split between italian metalhead ayarcana and resident keepsakes.

maeve kicks off their first label compilation heavy rotations vol 1 , covering all facets of the labels sound with tracks from mano le tough, isolée, oliver deutschmann, ed davenport, aera and more. comes as 3 lp in a specially designed cover consisting of 3 differently printed innersleves in a cut out outersleeve.

in its second venture into reissuing hidden gems of electronic music produced in eastern europe in the 20th century, little beat different issues focuses on the work of a czech composer, musician and producer, alexander goldscheider. this lp samples alexander goldscheider’s music produced for records, films, tv and even an art exhibition in the space of 25 years starting from 1975.

zultan it was the best afro song sold on traxsource 2014 – first position on afro house charts for 7 months, supported from the best international djs worldwide, more than 4 milion of view on you tube channel, it was licensed in several compilation and now this is the followup with the great featuring from the living afro icon dele sosimi. steve paradise realised the followup with dele sosimi and jazz musician pietro nicosia, 2 new version are available now to made zultan as an classic dance anthem

emile facey (plant43) has been at the forefront of electronic for more than twelve years. during that time the british producer has released on a host of seminal labels, expanding his style and sound in new directions. although plant43 is typically classified as a purveyor of electro, behind those driving rhythms and steely percussion a tenderness has always been present, an emotion expressed in lilting melodies and complex harmonies. it is these melodies and harmonies that come into focus on plant43s debut ambient album. on from deep streams is a rich and textured tapestry of synth work, a soundtrack that organically unfurls from nightime woodland walks and city stargazing to mindful solitude. the eight tracks offer the listener a calming journey into stillness, an excursion through gentle audio currents and a moment to pause and take in an inspiring vista of sound. recorded over the space of 3 months, this album gives the quiet, the subtle and the sometimes underappreciated centre stage whilst casting light on yet another side of emile faceys ever-evolving musi